Kill Meg | Borderlands: The Pre-Sequel | As Claptrap, Walkthrough, Gameplay, No Commentary, 4K

Borderlands: The Pre-Sequel, a narrative bridge between the iconic Borderlands and its sequel, plunges players into the harsh vacuum of Pandora’s moon, Elpis. This installment chronicles the unsettling ascent of Handsome Jack, transforming him from a corporate programmer into the villainous overlord familiar to fans. The game retains the series’ distinctive cel-shaded aesthetic and irreverent humor, but introduces fresh mechanics like low-gravity combat and essential Oz kits for survival in space. New elemental damage types, such as cryo, and a cast of four unique playable characters—Athena, Wilhelm, Nisha, and Claptrap—offer diverse combat experiences. Cooperative play remains a vital element, fostering shared mayhem. The Pre-Sequel delves into themes of ambition and corruption, posing thoughtful questions about morality within its exaggerated, dystopian setting, while offering a deeper understanding of its antagonist. Within this lunar landscape, the mission "Kill Meg" presents players with a memorable, albeit unconventional, boss encounter. Orchestrated by the eccentric Professor Nakayama, a fervent admirer of Handsome Jack, this optional quest tasks the Vault Hunters with eliminating a "teeny tiny genetic abomination" lurking within a trash compactor. This abomination, known as Meg, is in fact a thresher, a familiar yet formidable foe in the Borderlands universe, characterized by its subterranean movements and dangerous tentacles. The battle itself is a frantic race against time; as the walls of the trash compactor close in, players must swiftly dispatch Meg to avoid being crushed. Precise shots to her eyes and the round portions of her tentacles are crucial for victory. The true charm of the "Kill Meg" mission lies in its masterful pop culture homage. The creature's name, the mission title, and the trash compactor setting are all direct nods to Meg Griffin from the animated series *Family Guy*. This reference is amplified by the thresher's distinctive pink beanie, a signature accessory of the character. The parody runs even deeper, referencing *Star Wars: A New Hope*'s iconic trash compactor scene, which *Family Guy* itself parodied in its *Star Wars* special. In that parody, Meg Griffin was depicted as the Dianoga creature. Thus, *Borderlands: The Pre-Sequel* cleverly references this layered parody, creating a moment of meta-humor for those familiar with both franchises. Nakayama’s casual creation and immediate desire to dispose of this "abomination" further mirrors the dismissive humor often directed at Meg Griffin within *Family Guy*. Ultimately, Meg is not a character with her own narrative arc, but rather a brilliantly crafted boss whose significance stems from the developers' ingenious integration of comedy and intertextuality, making her a delightful and absurd addition to the Borderlands saga. More - Borderlands: The Pre-Sequel: https://bit.ly/3diOMDs Website: https://borderlands.com Steam: https://bit.ly/3xWPRsj #BorderlandsThePreSequel #Borderlands #TheGamerBay